Lollapalooza debut: X Japan finally comes to AmericaContinue reading.
Lollapalooza: X Japan makes U.S. debut, wins converts
X Japan’s Toshi Deyama (left) and Yoshiki Hayashi kept Sunday’s Lolla crowd pumped up. (Tom Cruze/Sun-Times photos)
The other night, referring to the small crowd for the Strokes and the triumph of Lady Gaga, I quipped that rock is dead. I stand corrected.
Making its U.S. debut — after forming in 1982 and re-forming in 2007, with massive popularity in its home country — X Japan took to the Lollapalooza main stage Sunday afternoon and delivered a spectacular, almost operatic performance of big ballads and speed metal.
Given the circumstances of the premiere, a small knot of hardcore fans clustered down front for the show, some of whom traveled from all over the country for this event, dressed to the nines in X Japan’s glam-anime style called “visual kei.” But by the end of the show, even the mildly curious were won over by the infectious rock drama. Fists were pumping, guys were playing air guitar, people were chuckling at themselves while following suit, making the X Japan sign by crossing forearms in the air. One guy in front of me was so involved in his air guitar, he sloshed beer all over nearby fans.
X Japan only played six songs, but the theater — on the same stage where 36 hours earlier Lady Gaga had brought her bawdy Broadway peep show — was captivating. Bursting to life with plumes of pyro, the quintet launched into “Rusty Nail” with a driving rock melody that dissolved into synthesized strings. Such is the duality of X Japan, moving between hard rock and classical structures sometimes within the same measure. A new song, “Jade,” opens with a kind of rumbling guitar attack that would make Metallica take notice, then it’s a lumbering power ballad, then it’s chugging at a breakneck pace, finally erupting into a guitars vs. drums battle. All the while singer Toshi Deyama — he looks like Roy Orbison and sings with a pinched high tenor like Steve Perry — wails away unlike a man who’d been virtually out of commission for a decade before the group re-formed.
The band’s late guitarist, Hide, was able to make the debut, too, several years after his suspicious death. He appeared on the video screens while Toshi sang a slice of “Kurenai.” The heart of the band, composer and drummer Yoshiki Hayashi, pounded and rolled his drums (wearing a neck brace to protect himself following drumming-related back surgery) and occasionally moved to a see-through grand piano for transitional music or to kickstart top-heavy ballads like “I.V.”
At the end, Toshi asked, “Are you ready to rock?!” But the question wasn’t too late, because the crowd, swept up in the frenzy, finally had an answer. “We are!” band members began shouting. The answer was to cross your forearms, marking the sign of X Japan. Over and over, this call and response continued. Once he realized he’d converted the Lollapalooza throng, Toshi changed the chant to “You are!” And we were.